A QUIET STORM SONG MOVIE

Tarplin hits a rare snagged note in the intro, a sure sign that this was not as finished as it might have been, though we are far more used to sophisticated synth music now than the world was in РІР‚в„ў75 when РІР‚СљLove LettersРІР‚Сњ represented something fresh and intriguing. РІР‚СљLove Letters,РІР‚Сњ dripping with synth from bass to the piccolo-like trebly whistle, is the albumРІР‚в„ўs least-satisfying cut, a muted funk that sounds like it was assembled as much as written, despite SmokeyРІР‚в„ўs apparently confessional lyric that declares his life has been a love letter РІР‚вЂњ which, in terms of his writing career, was correct. No matter Michael Jackson recorded it, and the song found the perfect home on A Quiet Storm, where it had space to spread out over seven minutes.

A QUIET STORM SONG MOVIE

Smokey Robinson could have been accused of over-optimism when he wrote РљВ»Happy (Love Theme From Lady Sings The Blues),РІР‚Сњ basing it on Michel LegrandРІР‚в„ўs theme from the movie РІР‚вЂњ but not until after the movie had been completed, reputedly to Berry GordyРІР‚в„ўs chagrin as he was highly impressed with the song. РІР‚СљWedding Song,РІР‚Сњ written for the 1973 nuptials of Jermaine Jackson and Hazel, the daughter of Motown boss Berry Gordy, mostly sidesteps sickly sentiment, telling of the most important day of many peopleРІР‚в„ўs lives with sincere optimism. JonesРІР‚Сњ-type tale of infidelity, but with a more thoughtful lyric, boasts ringing guitar parts from former Miracle Marv Tarplin and a lush, languid feel as Smokey endures what fellow adult soulsters would later simply term РІР‚СљJoy And Pain.РІР‚Сњ РІР‚СљBaby ThatРІР‚в„ўs BackatchaРІР‚Сњ focuses more on a funky sound, but this US Top 30 single is hardly grits and growling: threaded with a strand of flute, this is as sweet as club funk ever got mellow-mellow, right on. РІР‚СљThe Agony And The Ecstasy,РІР‚Сњ a РІР‚СљMe And Mrs.

Getting on for eight minutes later, you are still lost in its intimate life. The beat of the song is barely apparent РІР‚вЂњ we are miles from MotownРІР‚в„ўs original trademark crashing snare here РІР‚вЂњ but still, you find yourself rocking to its subtle groove. Opening with an arresting synthesized storm effect and an irresistible bassline, the title track is close-miked, and the breathy quality of his voice was never caught better on record. The mature singer-songwriter chiefly concerned with relationship issues was a successful musical trope of the first half of the 70s, and while Motown had tried to nurture such a figure before, particularly in the two Valerie Simpson albums they released, Smokey Robinson was the artist equipped for the role. The first two were not without their moments, but it seemed as if Smokey was reaching for a style that only really coalesced here.

Lil' Kim performs a dance routine during the chorus of the remix which has gone viral multiple times, and which has become known to many as the 'Lil' Kim Dance.A Quiet Storm was SmokeyРІР‚в„ўs third solo album, released on March 26, 1975, and by far and away his best to that point. Throughout her career, Lil' Kim has performed the remix of 'Quiet Storm' at various high-profile venues, including at Hot97's Hot for the Holidays concert and the 2019 BET Hip-Hop Awards.

The B-side features the song ' It's Mine', which was released as the next single from the album. The remix features Lil' Kim, who used her guest verse to diss rapper Foxy Brown.

A remix of 'Quiet Storm' (co-produced by Jonathan 'Lighty' Williams) was released shortly after the release of the single.

A quiet storm song